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société européenne pour l'etude des civilisations de l'himalaya et de l'asie centrale accueil contacts société liens activités adhésion colloque actualités diverses -- -- categories: activités adhésion colloque actualités diverses new articles: programme 2ème semestre 2018 faxian, archétype du pèlerin bouddhiste ? conférence - les dieux du tibet new comments: no comments at the moment -- accueil | accueil -- call for papers – seechac société européene pour l’étude des civilisations de l’himalaya et de l’asie centrale european society for the study of central asian and himalayan civilisations the image as instrument and as reflection of ritual in central asia and the himalaya: from antiquity to the present university of naples “l’orientale” monday 5 to wednesday 7 november 2018 seechac is happy to announce that its next international meeting will be held in naples from 5 to 7 november 2018. we invite contributions that adopt a multidisciplinary approach to the image as an instrument and as a reflection of ritual, in its artistic, archaeological, literary and historical connotations, in a wide central eurasian context, including tibet, iran, mongolia, central asia and the himalaya. images play an important role in the rituals of most cultural traditions of the region. they may represent components that are integral to the efficacy of the performance, either as major or minor divinities to be revered, or as demonic powers to be exorcised, or as other elements in the wider ritual environment. in form, they may range in complexity from simple two-dimensional depictions to large and highly elaborate constructions that may require many days to build. in some cases, the production of ritual images follows the rigorous application of textual prescriptions, whereas in others the tradition is perpetuated by oral transmission or by imitation. the ontological status of images in ritual has itself been the subject of extensive debate. is an image worshipped as the symbol of a transcendent deity, or is it merely the support for that divinity, or is it intrinsically sacred, and, if so, is this sanctity a permanent attribute or is it confined to the spatial and temporal framework of the ritual performance? while iconographic complexity may be particularly associated with the major religions of the region – notably buddhism and hinduism – images play an important part in other ritual traditions. an important key of analysis will be represented by ritual as visual expression, religious, ideological, social and political conceptions. this is the case of central asia and iran where, according to a long established tradition, images were also used for political and instrumental aims from the early antiquity to the present. narrative paintings, for example, provide a record of coronations, state ceremonies, sacrifices and other rites that are otherwise absent from, or only vaguely alluded to, in the literary record. and in the same way as the epic of the bard, the recitation of the shaman or the litany of the priest or the mulla, or even contemporary wedding videos, may evoke the figures of unseen gods and heroes, such “word pictures” may also be used to describe in detail the mythic, primordial performance of the rites that they are about to replicate in the here-and-now. if you would like to present a paper at this conference, please send a title and an abstract of not more than 500 words to seechac.colloque@gmail.com by 1 june 2018. we will let you know as soon as possible thereafter if your paper has been accepted. the definitive programme will be announced by the end of september. participants will be asked to make their own travel arrangements, but all other conference costs, including board and accommodation, will be covered by our hosts in naples. publication des actes du colloque tenu à vienne en novembre 2013 le volume intitulé interaction in the himalayas and in central asia. processes of transfer, translation and transformation in art, archaeology, religion and polity , issu du troisième colloque international de la seechac, qui s’était tenu à vienne les 25-27 novembre 2013, est paru aux presses de l’académie des sciences d’autriche (vienne, 2017), sous la direction d’eva allinger, frantz grenet, christian jahoda, maria-katharina lang et anne vergati. plus d'information -- european society for studies of central asia and himalayan regions (seechac) seechac's aim is to make better known the civilisations, arts and religions of the himalayan and centralasian countries. its ambition is to establish ties between scholars from different countries by organising meetings, exchanges of informations, international conferences etc. at paris, it acts so to spread the diffusion of the most recent results of research by organising high level lectures, nonetheless comprehensible to a large audience, open to every member of the society. enter societe europeenne pour l’etude des civilisations de l’himalaya et de l’asie centrale la société a pour objectif de mieux faire connaître les civilisations, les arts et les religions des pays de l’himâlaya et de l’asie centrale. elle agit en faveur d’une très large coopération internationale des chercheurs par des rencontres, des échanges d’informations, des conférences internationales etc. a paris, elle œuvre à la diffusion des connaissances et des derniers résultats de la recherche en organisant des conférences de haut niveau, de contenu compréhensible par tous, ouvertes à tous ses adhérents. entrer new articles [func]latest_articles:|:english[/func] articles récents [func]latest_articles:|:français[/func] english français seechac 7 avenue vélasquez, 75008 paris, france réseaux sociaux google+ facebook twitter rss archive rss pages rss articles © 2018 seechac old new --
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